die zauberflote
Like
Die zauberflöte, our construction is articulated between different simultaneous
symmetries, that against couples of characters, plastic art values or spacials
situations. These symmetries, such us one thing against other thing, go from
one site to another, it’s the breath of the play.
The
first one confronts the canonical installation of Die .... –the other
8 curtain of Karl Friedrich Schinkel in 1815- to our intervention, where are
integrated as a traces of memory, different fragments of those sketches.
The
second one confronts two elements: the curtains and the furniture.
The
third one confronts, in the own curtains, the holes to the audience and the
holes to the background, the projections on the curtains and the projections
over the holes of the curtains, the projections of the light or the shadows
scenes.
The
fourth one confronts to the furniture between them. The furnitures are three.
Two of them are symmetrics, and are changing the aspect for superposition
or for the projections that are covering its.
The
fifth one confronts the plastic values, texturized and articulated, of the
dresses of the characters to the fields more continuous of the curtains and
furnitures.
The
sixth one confronts the earth colours, golden and warm of some of the characters
to the blue and silver of the others, but in every one some of this ambiguity
is combined on wined tones.
